In this Dadaist love story there are many recurring themes: death and rebirth, multiple identities and doppelgangers, false prophets, love and love lost, the corruption of power and fragility of what is real or true. Using a recreation of Marcel Duchamp's Etant Donnes, a trickster of old mythology awakens Maria Martins (played by Kim Gordon) from the dream state. She learns that her lover, a captive Marcel Duchamp, has been kidnapped by a group of terrorists and forced to recite the chess moves to a historical match. Maria must enter a deep and strange rabbit hole to save her love.

Single mother Maria falls from the clouds when the police come: She does not believe for a second that her son, Matis could have killed the pretty Lea from next door. He is in his early 20s, but still thinks and feels like a child - right? After his arrest, Simon finds a sex booklet belongs to him that the bus driver Bacher sold him. Matis actually makes a confession, to which, however, the psychologist Benjamin doubts. In the meantime, mother Maria is investigating on her own. The thriller gradually increases its level and excitement.

Simone, undercover cop, infiltrates a feminist group suspected of murder. Drawn to their ideas, she questions her values. To protect her cover, she falsely accuses Paul, a kind acor, unleashing chaos she can no longer control.

The story of one of the most infamous cases in UK criminal history, that of serial killer Dennis Nilsen. Told through the prism of three men, the series explores the personal and professional consequences of coming into contact with a man like Nilsen.

Joined by contributors, and with a different guest each week, Marie-Louise Arsenault hosts this magazine that highlights the week’s top stories, casting a critical eye on the national and international media and the images that surround us in journalism, advertising and social networks.

Sauerland, autumn 1995: In the middle of the forest on the Wilzenberg, a walker finds the body of high school graduate Sonja Risse. However, the fact that the killer left a music box with the lullaby "Hush Little Baby" at the crime scene does not lead to a clear solving. 25 years later, the investigative journalist Stefanie Schneider, known as "Mütze", made a surprising discovery in Cologne. In a disused multi-storey car park, she films an undressed corpse of a man with a music box running next to it! When her colleague Jan Römer, who reported on the spectacular Sonja case as a young journalist in 1995, recognizes the melody from back then, he immediately believes there is a connection. He goes to Wilzenberg with his ambitious colleague to interview Sonja's mother Maria, her former teacher Waldheim and her best friends. The more the journalists compile, the clearer the contradictions and gaps that the investigators should have noticed at the time.

At 53, Anémone learns that she suffers from early Alzheimer's. The life she chose, to forget the first, is about to switch ...For, almost 30 years ago, Anémone, who was then called Manon, had to leave a life of violence, leaving behind her three young children. Fortunately, Lise, a kind-hearted lady, welcomed her with open arms into her home, which at the time housed women in difficulty in the small municipality of Belleville. Under a new identity and in this other life that she was built, Anémone, now thanatopracticer, flows for happier days surrounded by her children from a second union: Karla, the eldest back home, Simon, a young father who inherited his father's renovation business, and Olivia, his adopted youngest daughter who follows in his footsteps.At the announcement of the diagnostic hereditary potential, the old life of Anémone, unknown to all his relatives, comes to haunt her again. Will she have the strength and the courage to find her first children, Caroline, Sebastien and Jean-Olivier, before completely forgetting them? What will have been the fate of these children raised by Ronald and his own mother in difficult conditions? And most importantly, how will they react the day they learn that Manon is still alive? Anémone will then have to give an account ...In addition to coping with her diagnosis, Anémone meets the new director of the funeral home for which she works, Vincent, a mysterious man who observes relentlessly and with whom she will develop a troubling relationship. But what is Vincent looking for? Would he hide, too ... Another story?

We don't have an overview translated in English. Help us expand our database by adding one.

暂无英文版的简介，请添加内容帮助我们完善数据库。

Sweet Anna is sent as a maid to the Vizys immediately after the fall of the revolution in 1919. Since the death of her daughter, Mrs. Vizyné has devoted all her emotions and energy to the "education" of the servants. Anna is sometimes pampered, sometimes humiliated. Her nephew Jancsika seduces the young girl, who wastes all her repressed love on him. Jancsika leaves him, and when Anna wants to leave the Vizys, Vizyné, in a fit of hysteria, blackmails her and holds her back. The morning after a house party, Anna murders her hosts.